A decade to remember...
It’s nearly 9pm and
there is a sense of anticipation about the Yew Tree base this Sunday night, for
tomorrow is a very special day…tomorrow we will embark on the first day of our
week of rehearsals for our Connections production – Hacktivists. It’s a great play that makes you think about things you take for granted...the internet,
social networking and our ability to do what is right when faced with a
difficult decision...if you’d like to come and see it, which I heartily
recommend you do, all the details are here….
This cast and all the
individuals within it are the next in a very prestigious line of young people
who have grafted hard and grown tall as part of the Connections plays and I
find myself remembering all of the individuals that have been part of my
connections history tonight…
The first connections
play I directed I picked up halfway through the process when the director who
had worked on, “Asleep Under the Dark Earth,” for Pilot Youth Theatre moved
away…it was my job to get the play ready for the regional showcase. It was a baptism of fire but an
excellent foundation for what was to come…plus it gave me the opportunity to
work with YTYT legends of the future such as Danny Bell, Jonny Hopwood and Sam
Sherratt.
As “Asleep Under the
Dark Earth,” went so well I was allowed to do the next Pilot Youth Theatre
Connections alone and from the start…this was “Mugged” and I loved working on
it…it was a brilliant piece of writing and some of the tension created in the
performance was breathtaking. I
enjoyed the challenge of realising a piece that was about personal tragedy in a
media dominated world…I enjoyed it so much I am going to redirect it again this
year as part of our 20th Birthday celebrations…
Next was "Shut Up" a difficult second album...for both director and playwright...still under the umbrella of Pilot Youth Theatre...I quote phrases from it even more and although it had it's difficulties it was had as many brilliant moments...the most memorable of which was when finally Dexter uttered a word...
Next was "Shut Up" a difficult second album...for both director and playwright...still under the umbrella of Pilot Youth Theatre...I quote phrases from it even more and although it had it's difficulties it was had as many brilliant moments...the most memorable of which was when finally Dexter uttered a word...
My official third Connections
play, “DNA” was an independent venture as I was now directing under the banner
of YTYT not Pilot Youth Theatre.
Written by the brilliant Dennis Kelly this sharp, hard hitting play
looked at just how far people are prepared to go to protect themselves and
included some jaw dropping moments and exemplar performances…so many YTYT
members who have gone onto be successful both within and outside the acting
industry were involved…
And then we come to “A
Vampire Story” a play recently revisited by Black Company as there 2015
Christmas show…at this point actors such as Alice, Joanna, Dee, Jess and Rob
walked onto the YTYT connections stage…and Danny became my assistant director –
a partnership that was to last for 5 connections shows…I know I shouldn’t have
favourites but if I did, this would be one of them…I loved the story, the cast,
the writing and the design…such a happy time.
The fifth performance
was “The Heights” a strange and at times surreal play that I really struggled
with at first but we got there eventually and in addition to producing one of
the most disciplined and sharp regional showcases I have ever seen we also
managed to perfect a sequence of gun juggling, stage a character falling down
the stairs with no stairs and who could ever forget Fat Matt and Fat Pat…
The following year
there was no Connections festival as the National Theatre took a break to
regroup…but we were not to be thwarted…we got round the lack of new work by
delving into the back catalogue of Connections and pulling out “Sparkleshark”
in fact we did two versions of it as we had two casts. I loved directing the words of Phillip
Ridley and it was a great honour that Giles Forman came to see it and talked to
the cast about their work.
This brings us to year
six of producing Connections plays where we delved into the world of witchcraft
with “ Shooting Truth,” In this play a story hundreds of years old was layered
with a contemporary story to brilliant effect as high school children explored
the history of where they and revealed the fate of a young girl accused of
witchcraft. We were so inspired by
the theme of it we made a brand new play to compliment it. “Shooting Truth’” was another brilliant
play, wonderful cast and performance to be proud of…
“Journey to X” was the
next Connections adventure – set against a backdrop of reality TV this play
looked at how children can be thrust into having to make grown up decisions way
beyond their years…the result was something both funny and poignant and marked
the end of an era as both Alice and Dee bowed out of Connections after their
performance in it.
The following year we
took on possibly the most challenging Connections play to date. “Tomorrow I’ll Be Happy,” was an
important story of prejudice and violence…it was dark and demanding and it
stretched me as a director and the cast hugely. I was proud of it and the actors that pulled it off with
genuine sensitivity and gravity, they pushed themselves further than I think
they knew they were capable of. I
was also immensely proud of Danny who by the time we performed in Kendal knew
he was going to go and train as an actor in Manchester.
Which brings us to
last year’s gorgeous production of “The Wardrobe,” a new cast most of whom had
never performed in a Connections play before – a new assistant director and a
brilliant concept of a play…after the dark intensity of the previous year the
production was a breath of fresh air…such raw, wonderful talent who worked so
hard and produced an unforgettable journey…
And so here we
are…ready to find out what Hacktivists is going to turn out to be…it’s no
wonder we are excited…
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