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Showing posts from February, 2018
Delighted to share Helena's end of half term blog with you! The first term of the year always brings an air of excitement with it. Christmas shows are over, and in Black company that means it’s time to decide what our next project is going to be. This is one of my favourite times of the year because it’s a time where anything is possible! New people move into the group, new voices and opinions appear and together, you begin to find the voice of the company. In Black, we’ve been doing a lot of exploring; trying to find the next play we would perform. In Sarah’s words we were looking for ‘a classic that isn’t Shakespeare’. After weeks of workshops, trying different styles, eras and playwrights out, we decided on Brecht’s ‘Fear and Misery in the Third Reich’. The play explores the lives of people living under Hitler’s reign during the Second World War. Having an episodic style means every scene brings completely unique challenges and potential. We’ve only just star
Connor's Yew Tree 2018 Life So Far I don't think I'll ever get bored of writing these blogs and getting to reflect on everything that's happened so far for me as part of Yew Tree. Last year was exceptional and so far in 2018 it's been no different. My life is basically revolving around Yew Tree but I don't think I'll ever complain. Especially when it offers so much for me as a young actor. I ended 2017 with the Open-Mic Night and the Christmas shows so my expectations were incredibly high going into 2018 and it hasn't disappointed. There's Connections where it's developed into a piece that I'm already super proud of. But has also challenged me as an actor more than any other piece that I've done in the past and I love it for that. We've got our first set of performances of Ceasefire Babies in early March and I know it's going to be amazing and a can't-miss. But that's not all! There's Gold company as well. Where
Dec Kelly with our first blog of the half term! 2018! Let’s just say that the start to Yew tree 2018 has been a challenge already… And what we’re only 2 months in. National Theatre Connections is just around the corner and the entire cast have been working so hard. ‘Ceasefire Babies’ by Fiona Doyle is a play which requires so many skills from the cast in order to create this amazing story about how traumatic events from past conflicts can cause such a large impact on modern society. The rehearsal process from day one has pushed us to our limits with our acting skills but also physical skills. During the rehearsal process so far we have been able to explore the characters within the play and relating these youthful characters to events of ‘Ballymurphy Massacre of 1971’ which the play is inspired by. The music we have being rehearsing with has given the piece a whole new gritty feels to the performance helping us as a cast understand the problems faced by a war-torn country. I must